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Show CHAPTER THREE VIGNETTE 26, THE TRAVELLERS MEETING AT FORT CLARK: PORTRAIT FIGURES In the past, the aquatints have been considered less reliable than the watercolors in conveying information. This approach is wise. However, the same care may at times be needed when extracting information from the original watercolors. One of the advantages the watercolors have over the aquatints is that the watercolors convey first-hand information. It is less well-understood that a number of the portraits found in Bodmer's portfolio had been later reworked and in several cases completely repainted. First-hand and Second-hand Information When Bodmer returned to Europe, many of the portraits were unfinished; during the first months after his return, Bodmer remained in Coblenz to finish them. More than one sketch or watercolor still exists for a number of these portraits.1 In each case, the "finished" watercolor is more closely detailed and refined. This added detail, probably accomplished in Coblenz, is very carefully done, but corresponds in principle to the later "refining" of the aquatint images. In tracing the development of one of the portrait figures in Scalp Dance. |