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Show 260 Beraldi, v.11, p.p. 200-201; Benezit, v.8, p.p. 760-761; Le Blanc, v.3, p.337.; Thieme Becker, v.28, p. 348. See also: Bellier-Auvray, v.2(1885); Beschr. Cat. v. gegr. Portr. v. Niederl. 3(1891) nr.4455; Gazette des Beaux-Arts, I (1879) 34; Mireur, Diet. d. ventre d'art, 6 (1912); Schneevoogy, Cat. d. est. grav. d'apres Rubens, 1873. Rollet, Rene (Louis Rene Lucien): (French, 1809-1862) Tableau 23, Pehriska-Ruhpa. Monnitarri Warrior Tableau 24, Abdih-Hiddisch. A Minatarre Chief French etcher of aquatint and mezzotint, born in Paris, September 3, 1809; died in Paris, March 12, 1862. A student of Daguerre and Jazet, Rollet imitated the style of Jazet and produced a number of reproductions after Jacquand, Le Poittevin, Schopin, Gendron, Ch. Comte, H. Vernet, and H. Bellagn6. Between the years 1837 and 1859 Rollet exhibited his work in the Paris salons. Andresen, v.2, p. 392; Benezit, v.9, p. 58; Beraldi, v.11, p.p. 232-233; Le Blanc.v.3, p. 352; Thieme Becker, v.28, p. 537. See also Bellier-Auvray, II (1885); Nagler, Kunstler-Lexikon, XIII, 324; Rowinsky, Lex, rus. Portratstiche, 1886-89 (russ.). Salathg, Frederic (Friedrich): (Swiss, 1793-1860) Vignette XI, Punka Indians encamped on the banks of the Missouri Vignette XVI, A skin lodge of an Assiniboin Chief (with Johann Hurlimann) Vignette XVII, Beaver Hut on the Missouri Tableau 1, Forest Scene on the Lehigh Tableau 10, Fort Pierre on the Missouri Tableau 16, Mih-Tutta-Hangkusch. A Mandan Village Tableau 29, Junction of the Yellow Stone River with the Missouri Tableau 34, Remarkable Hills on the upper Missouri Tableau 35, Remarkable Hills on the upper Missouri Tableau 41, View of the Stone Walls on the upper Missouri (with Charles Beyer). Swiss painter (landscapes and architecture), etcher, and aquatintist (monochrome and color-printing), born at Binningen (near Basel), January 11,1793; died in Paris, May 12, 1860. Sal at he was a student of Peter Birmann of Basel. Salathe traveled to Rome in 1815, where he remained for five years. Washington Irving mentions Salathe in his Tales of a Traveller. Salathe\ returned to Basel in 1820 or 1821, and for the next two years worked for the publishers Falkeisen & Huber. He executed a number of watercolor views of Switzerland, inspired by the style of Calame. Salathe settled in Paris in 1823, |