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Show HANDBOOK FOR TEACHERS OF INTERPRETATION 116 "heart," so this word, because of emotion, is syllables. The second paragraph of Whit man's classic follows the same rhythm as the first until we come to, notes held on as the words if it two were ta ta tain! dear fath / This / dream some that / The last paragraph sings another My to My fath / to ta ta te te te y' wer, his lips / are pale / and still to ta ta ti ti te te te ti ti does / not feel/my arm, / he has / no pulse / nor will er ti ti ti ti The ship / the deck ans te te te ta ta / on rythm altogether. te te te ta ta Cap / tain does / not to ta ta ta ta it is head! / beneath / your arm to / er to ta ta te te te to to te te te Hear Cap is anch /ored ta ta te te te to ta ta te te sound, / its voy / age closed I safe / and to and done From fear / ful trip / the vic / tor ta ta te te te to ta ta to ta ta ship / come in / with ob / to ject won. Exult to ta ta to ta ta / 0 Shores, / and ring / 0 bells, / But I ti ti ti ti Walk te te te ta ta to / with mourn / te te te ful tread to ta ta / the deck / my Cap / tain lies, to Fal ta ta te te te / len cold / and dead. lengths either in crease or diminish in regular sequence, in rhythm of twos,-as ta te te,-ta ta,-to; or vice versa,-to,-ta ta; in rhythms of threes,-te te te; in rhythms of four,-ti ti ti ta or ta,-te changed-to, ta,-to, There ti ti ti. ti,-te te te,-ta ta,-to,-or-to,-ta ta,-te te te,-ti ti ti ti, or seems to be no rhythm which jumps from-to,-into-ti Sequence. It should be noted that the wave from-te te te-into-to, any more than the waves on the seashore |
