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Show 271 musical setting for Almighty and church service (in Boyce) everlasting God has __,.....,..-... . . a been never Larger cQl1ections Of Gi\!)bon'$ church music hard to is He fid. forgottEfn are sacred writero few who In q+s ocoupies Boyce (Vol. rI) hgh position a s ever a L ar e 9S a 'important motets • , brilliant piece--a pur sound of joy-is the six-part ift heads, certainly Y.2. your of of one thi often-used text; the the Same most tone expressive 'seuting$ is found in the eight part Q S41a.l1 :;ou, hsa_nds tog§ther, in two long sections, the mot majstic works in Engliph church musco Almi_@ty and 'eve+asting Gd is a prayer, A tion with GodWhiGq and German SQ GbQons I filled with warm Anthems and A.n has tains six Hzmns by Boswor-th and $omewl;lat seven motets, all monQtonqus, sl,:q.ce Gibbons' arto it A were mphasizes only but one of the , of 22 of more qUiet brilliant and powerful OPS anthems from the first haf of the seventeenth century ras been published by Rimbault for the I1MusiGal Antiqufl;rian. Societytt. on It Gon chosen. colleotion , it is side It wouo have been refreshng to see seri9Us wors along siqe Whic excellent works; Co .... Abbey, apperd, dited by Sir Frederick Bridgep or conversa oppor4un pub occasion of tpe Gibbons Festival in Westminster London, of distinct from the Italian, rlemish style foun¢! in similar pieceso lication of the is one four-part devotion-thQt simple, almost fqmiliar English tone ot and England • tlnfortunately . A in Gibbons numbers among the best madrigal coposers, of the one The anthem 0 Composers from the madrgal |
