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Show 195 the here old concept frequently found in five angelic of n O$tn?,voie in Lasso. Te,;rst. parts; eont r-a s ted wi t voicss (Seraphim I, Seraphim Seraphinis) singing, ItSelig sterbenU, etc. times with in sort a te. ,i8 its Munich of consummate skill, from the Sacra, I· cour t choir of animq cum at its own are placed in alternati;ng, at They times musical cantiones, (1669), by Kape l Ime l s ter Johann Kaspar Kerll, his tory of the motet" A number of motet 1Nith the to all of them, violins. A long! in a cantata. A well as as qre numeroqs other presently edition1o They torm which mixes the thorough.-bass accompaniment history of the cntata. coeli piece Kerll a of inter'as t are pieces se the instrumnt$, is such as ba$ses? NumbeT 9 of the Dominus included in his "Mus1ca sacrallo in all of these works. A as be-: Closer to the motet form qre new laetare, Number 7, p+asdeptes Viril'?-i, for !Qur added such detailed examination of these masterful piecs polyphonic compositions Regina the new mainly so-called "sacred eoncert;Lll, able text and dialogue available in the first volUme 0f the are thre-part a II and Beata own t.·" a the main words sings fusing together. Several works in choir changing text, q sind die Totem, die in dam Herrn Each choir has motives, resulting jutapos1tion .. with rgnavit, edition, and a remark brilliant solo $tyle is featured Although they are examples of a dignified It· Denkmaler dar Tounst in Edited by A 'Sandberger< -, .... which Commer has -,----__,.,.. 1 ' Bayern, Jahrg,ng II, 1.1, Volume 2$ |
