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Show CHAPTER VII THE VENEIAN MOTET .. The \ fof \ goes back Roman, lowering two art centers school which is great Italian motet the final second the Venetian. is to originally of this same the seed to important This the school, like the Netherlands motete was of Venice and Romee history' But the vastly different in the Flemtsh composers had long been in high, prominent pos i t Lons in Rome, and the Flenl= ish style had pnetrated all Venice decided to entust an mastero Until after native resorces music is 1525, of uppe:r and middle important post Venice had to began (information regarding developed in to the this early Venetian a characteristic fashion more individual and highly of music-in very Flemish as finally infiltrate Venioe, their style sarne in,Rome, although Flemish a managed primariy with presently difficult to unearth); but composers Italy, before rapidlyo developed The influence culture striking fashiono It it had done as of Veniceos colored this now became practice ripe and I I luxuriant, no longer char ac ter t zeo charm of the Dufay period, fSChool--that more of the cult of visionary or by the chaste, bud-like by the restraint of ingeniously entwined lines; sense of the Ockeghem there otherworldly meditation, was the no ----- |
