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Show 8 until the time when period the stands before us in clearer detail. To the evaluate little-accessable motets i Venetian school, we have a four-voiced Sancta of the Mari early succurre miseris by Philipp Verdeot, of Belgian descent, whQse style developed chiefly in Italyo He resided Venice, as to whom he a singer at Sto single book of his appearedL1n 1549 tant the is with The of a ontanus mediocre the He period. Tanto tempore and Flemish in from the I:q 1536 he is madrigalso it known; in name impor generally known as The four-part work of his arto style, but permeated great found in Nurnberg collection is Maldegham, of qtiallty. us several of Ciprian de Rorens tibi ratias is specially interesting features. and Willaert, lute adequate concept (1554-56), Neuber A' five-pat Aimus a was ageol of his an voices, find-his freqently compositi.on, Maldegham gives is under in beauty of sound which points to southern influenceso fbur-part ay for four scarcely gives notabie a we finest composers mentioned here It of book of VerdelotBs a motets, But .. collections 'of one soubtless Mark's, also Florence, 'in close artistic relationshipo stood transcribed for Willaert A in five-part i Da gloomy color, lCompare pacem but Ambros Domi,ne, also not because III, 293. a motets. conventional work without Very noteworthy, however, only because of the fearful it at once shows us how |
