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Show 128 Q an2'elum, well as does not reach the this text, is the none features, such voices build melodic great markable of less distingnished by the passage as, themselves into ba s s 5 There Q es, Petrus, which, is an this the motets usually contributes over a D11,igam te, It end;. i5 of re of lively rhythmic effect, a Among the five several particuarly energetic, are where the major technique a especially in his eight-part compositions. part indi is made in these four-part works triple meter, which otherwtse $ assleT; lively, energetic edifice the afore-mentioned use no its "aedificabof', charm, espec:i,al;Ly towards that almost it though even an inspirattbn that Palestrina gave power vidual motionles the Tu as joyfully elated I Ascendo pieces; a patrum em" and second half, nOVUID. This in the mighty climax similarly animated Cantata Domino canticum a mood wi th a is found also in the extraordinary six-part • Tribus and miraculis, with its majestic, full sound, These clear, powerful construction. Hassler--reminding The of us eight-part 19bilate the ultimate old vocal type, there only determine or sorrow is perhaps prayero are the The Deo and of sound a In contrast to the numerous the few melody works in which heavy seriousness, baaic note. noster and example of brilliant is a of typical the ten-part Rodie Christus The most six-part Deus noster refugium, Pater are latter The formo mU5ic traits the German folk 50ngo natus est again show Hassler's enjoyment in its melodious style, for important a of this anxiety of them melancholy double-choir also belongs here, |
