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Show CHAPTER XII THE The signifieane of fRENCH MOTET tbe eariest French motets fr0m the twelfth to fourteenth centuris for the -has already ben discussed. lead in the the motet I as I a - gradually disappeaed \eenth century. the They the genre traces were first in the often difficult to were ip tne fifteenth and sixteenth deficiency of biographical existing matria has future, perceve much information. mel, Phinot, etc., to Ambros, , ... ...... .... n_. of on knowledge the of Ftench nd eight. centuries, due Furthermore, W to the ay, a bulk in the we can at present. Verr Jannequin, Sermisy, yerton, GQudi- avalable in sC9reo !'We must turn again the-'1?rench, (pp. 35"'!'54), the re;nch of 'whom dist1nguih from I are . commonly accessable. presentation report who treats Musiikgyschehte is not asumed clearly the characteristics qt; tQ mre important works , the form repogpied ?gain scarcely been studied. sixteenth century Freneh mQtet tnan the of seveptenth each other few of the But on must not overlook the fact tht French and Flemish eomposers of of After the F!emish school fifteenth century, special variant of history we mas te r s with the .suppor t of Little is subject. to to It would 'IDe motet composers of QW a i, Vblume recent a be 3 of hd s materia;" wnich aQded h,re to hs well, however, later period, series of Parisian to our rerints, |
