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Show 228 tant; a i dark glow ,pulses through for-voced Q Doi it. Finally, Comer gives Christel, Jesu a very excellent us composi tion. The /friend, complete motets of Palestrina's great contemporary and Vittoria, now are four-part compo$itions, 8 five-P9rt, in part, all, 44 motets, 13 Lassos, Gallus and mapy resented quantty far as 12 works others, is of with his queen masss, and the music demonstrate his first glance, they ma$tery are and was sctiopo artistic funeral musc for the his the harmony. his same, formal structure, A Florentine Piscorsi3: Who same contemporary, "Vittoria imitator of Palestrina. the was held Bt he is Flemish Severo in his Similarities, IMusic2 acra, Vol. many in fact of B.ge 3Excernts to wrot.e 'be a and in mere one composer of the Roman school." Vittoria's' pieces have 27. 1, Gesamtausgabe of Yittoria's works, Pedrell, Breitopf and Hartel. fr9m Bonini's may be found compare p. 179. iphterographie; All the 2Vol• F. F. On technique Bonini, own actually apppoaches the immortal master Aside from the motets distingush stylisti ,cally from the motets of the Roman master Palestrina. have not activity lay towering intellect. to rep actually Nevertheless, very difficult eight modesly very He his his for Holy Week. sheer is concerned. magnificats, hymns, 2 Josquin, Palestrina, Vittoria 1a motet Qomposer; th greater part of and second a 22 cotaining six-part which have or Compard with the grat motet as reprint2, available in in Dela edited by Fage's an |
