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Show 27 is the exchange between ,the antiphonal three-part and the genuine six-voiced writing in the last part, Masterful ) choruses and fine the et Timor realism in this originality later not periods subjects, of invention of disdain stark not such boldness of of earlier main object the and rarely very even or strove for older vocal styles lay thematiG material subject sounds Gabrieli's developmento createdo are did is theme of creation in the mucq sq The the masters as Still, one Gabrieli tror. work. in their showed sound whtch amazing vitality and vividness is the of An art work six-part of shadings as in its follows: as . ti It is a cry, downwards of - mor tro et immediately paralyzed with great th word "tremor" hesitant and mor. - as if from terror, falling with leaps, ending the wailing its painfully drawn out diminished I fourth, c#-f during This ployed with genius; but because \ piece; unfurls its development by all six voiceso its clearly. first theme they are they give other effective voices The downward motion is here is the second theme: an not whole The strength rests are em only in themselves, opportunity to sound characteristic of the whole |
