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Show depuls Ie musicin d'Orihuela jusqu'a Jo Navarro et ntc qui savept de que 18 Cabo de plus tradtio p'a (1830), celui qui a un des Ie de Perez the et Le s Comes is multivocal de even Comes its nsonner et dans les geniale$ sailie$ de Comes." The for uniqueness of poy-qhoral writing, attained sucb, excellenc ;i.n this style, b,im without hesitation to Giovanpi judges him super-Lor est un art parfait in some et achevc Some· of the most a , 11 to respects: "Lt , plus by Comes; cor nec t Cum·invo- are: -,- and Dixi t II t significant Pedrell, 'Q,ccavi, ar D9WJP.SS preceIElnt9 lori grandes cr::onstructions polYr'honiq\les chorale" by Pranc Is C0 Navar;ro §.imbolo de. San A (l.1"gnifica,t tansio Vargas; Salmos ,( Baban, l'ecole valenienne, les predil$ction voices, in fqur. chof r s Urban de du maitre / car$U!!, Miserere mei, , Tbi soi des decadence peut dire on doute, sans compositions of.' tnts $o;rt, according eux de la . geni que celu;1 de Juan Gabr Le Lt ;" for 17 Baban, l'poque / accords is that Pedrell compare$ and de de I malgre epc9ne disP?ru a f+ori- ( ;( pus chaque jour, op entend said to have Gabrieli, en et Praas, derpiers soutins s uave s Valenca $cool de pas plus compositons duquel m0ins on d'ecole, vient l'epoque abasa e,t qui s'accentue plus / santes les traditions d'Ortells, conserver Aprs Comep. Bo etc. and de and ea tus ir, #a.l,a Jerusalem, for ·for 11 vOiC!es); vo Lces Nova, ten anq twelvepart, by nther pecuirity Polyphonic psalmody, four, five of and alternates with Gregorian plainsong the organo by Gracin Valencian scb,ool is si.part, wherein and , the., )' the choir |
