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Show 240 voices. The most bautful its elegant voieelead1ng, Two other both are The hint no in the of for9ig. l1sE1tem,ni , Flemis polphOAlc special features qemanding engtnY t six-part GHde virga Ctaina mt have beep especialY 'famous; of the is salvum and Domne g00P compositions but without motet-stYle, results, ditinguished by in which there motet$ in Glareqn, four-voiced, tention. sound it as published twice 9uing i 1529 and composer, astoribus ppeared 1534• A the lifetime five-part Quaeramus ; 1n the already mentioned .. cum I ,..........,... Pisan Anhqogr of Charles Bordes. Above of the They the all, th psalms of Claude Goudimel lead1ijg asters Of french music, areettings pd e ce s in forme de other nhe se motet", ap n numerous ps a Lm books o intert Marot and de settings. were of to us. of Many of the set by Goudime1 "en expressly difficult task, in contrast to An ll these work belongs to the history of palm composition. known. one Bze simplifid a:r;y;angements fo;r so-called "homeuseu. anaysis are th translations by and appear Psalter, better to are (150472), Only a small number pf Goudirnel's r91l motets Maldeghe gives triple-choir. §.alve regina, us The pice doe e i the r a twelve-part not measure UP Salve , to regins or i II ' Pale$trinp' in depth or, power of expression, Ln refinement Qf voice lading and technical orkmanship; but t has an choirs impOSing strueture, are trasting and possesses genuine feeling, treated in the Venetian horizontal mannr, masses of sound, athr than s or groups of as The cop ind1v1dual |
