Basket of Chips, page 155

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Identifier /tanner/image/basket_chips.xml
Title A Basket of Chips: An Autobiography
Creator Harwood, James Taylor, 1860-1940
Subject Artists; Painters; Artists' writings
Subject Local Harwood, James Taylor, 1860-1940; Artists--Utah--Biography; Harwood, Harriett Richards, (1870-1922)
Description These memoirs of Utah artist and teacher James T. Harwood cover a wide range of subjects including farming, gardening, bird watching and cooking. But, primarily, "A Basket of Chips" is about his early love, Harriett Richards, and their life together.
Publisher Tanner Trust Fund University of Utah Library, Salt Lake City, Utah
Contributors Olpin, Robert S.; Ward, Margery W.; Cooley, Everett L.; Madsen, Brigham D.; Tyler, S. Lyman
Date 1985
Type Text
Format application/pdf
Language eng
Relation Is part of: Utah, the Mormons, and the West, no. 12
Coverage 1860-1940
Rights Management University of Utah, Copyright 2001
Holding Institution J. Willard Marriott Library, University of Utah.
Source Physical Dimensions 14.5 cm x 22.75 cm
Source Characteristics Printed Hard Cover Book
Scanning Technician Karen Edge
Metadata Cataloger Kenning Arlitsch; Jan Robertson
Call Number N 6537 H364 A2 1985
ARK ark:/87278/s6zs2vsj
Topic Artists; Painters; First person narrative
Setname uum_ttb
Date Created 2005-04-20
Date Modified 2011-04-07
ID 327930
Reference URL

Page Metadata

Identifier 177.gif
Title Basket of Chips, page 155
Description A New Life Appeal to the Great Spirit (oil), 1935 Courtesy Permanent Collection, Utah Museum of Fine Arts, University of Utah devote my full time to my family, and to my painting? "My own has come to me" proves ever more true. 18 The greatest financial benefit received by artists during the 1930s was federal aid in response to the Depression. The Utah sub-chairman was Helen Sheets, and in 1934 she announced the assignment of ten projects to different Utah artists. Among those involved one way or another in the visual arts pro- grams of first the Federal Emergency Relief Administration (FERA), under Elzy J. Bird, and later the Works Projects Administration (WPA) were Carlos Ander- son, Bird, Gordon Cope, Edwin Evans, Lynn Fausett, Calvin and Irene Fletcher, J. T. Harwood, Ranch Kimball, Millard Malin, Henri Moser, William J. Parkin- son, Caroline Parry, Henry Rasmussen, Lee Greene Richards, Howell Rosenbaum, W. H. Shirtliff, Paul Smith, Everett Thorpe, and Florence Ware. Among the original ten assigned artists and projects named in 1934 was J. T. Harwood. Two gallery pictures of early Utah life resulted from this assignment - Depnr- ture of the Red Man and the Appeal to the Great Spirit painted by Harwood and assisted by Elzy (Bill) J. Bird. Both are located in the Olpin Union Build- ing Ballroom, University of Utah. Olpin, Dictionnry, 279-80. Another major financial plus for Harwood during this same general period was the 1932 sale of the "Old Brigham Young Farm Collection" to West High School (see Part Five, note 7) and the much larger Brigham Young University purchase of "The James T. Harwood Collection" in 1937 (see Part Six, note 19). In addition there were sales through the "TEENSIE, TINY TOKENS OF UTAH PIC- TURES FOR TOURISTS . . . . At number 25 West, next door to Morris' in Park's little shop, we have 50 little pictures to be picked up by tourists or sold as gifts, all suitable for a tiny apartment, and at reasonable prices. Look for the names Lura Redd, Hilma Mole, Paul Smith, Howell Rosenbaum, and the well known Richards, Moser, Wright, Harwood, Teasdale [Teasdel), Ware, the Fletchers, Campbell and others." Horne, Art Strands (July, 1932), 14. 1X
Format application/pdf
Source A Basket of Chips: An Autobiography
Setname uum_ttb
Date Created 2005-04-14
Date Modified 2005-04-14
ID 327635
Reference URL