Basket of Chips, page 116

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Identifier /tanner/image/basket_chips.xml
Title A Basket of Chips: An Autobiography
Creator Harwood, James Taylor, 1860-1940
Subject Artists; Painters; Artists' writings
Subject Local Harwood, James Taylor, 1860-1940; Artists--Utah--Biography; Harwood, Harriett Richards, (1870-1922)
Description These memoirs of Utah artist and teacher James T. Harwood cover a wide range of subjects including farming, gardening, bird watching and cooking. But, primarily, "A Basket of Chips" is about his early love, Harriett Richards, and their life together.
Publisher Tanner Trust Fund University of Utah Library, Salt Lake City, Utah
Contributors Olpin, Robert S.; Ward, Margery W.; Cooley, Everett L.; Madsen, Brigham D.; Tyler, S. Lyman
Date 1985
Type Text
Format application/pdf
Language eng
Relation Is part of: Utah, the Mormons, and the West, no. 12
Coverage 1860-1940
Rights Management University of Utah, Copyright 2001
Holding Institution J. Willard Marriott Library, University of Utah.
Source Physical Dimensions 14.5 cm x 22.75 cm
Source Characteristics Printed Hard Cover Book
Scanning Technician Karen Edge
Metadata Cataloger Kenning Arlitsch; Jan Robertson
Call Number N 6537 H364 A2 1985
ARK ark:/87278/s6zs2vsj
Topic Artists; Painters; First person narrative
Setname uum_ttb
Date Created 2005-04-20
Date Modified 2011-04-07
ID 327930
Reference URL

Page Metadata

Identifier 138.gif
Title Basket of Chips, page 116
Description A Basket of Chips HAZING EXPERIENCE AT THE ECOLE DES BEAUX ARTS4 - PARIS The looked for nonsense on first entering the great school of art had passed and the Nouveaus thought that there were no more "tortures" to be endured, other than the usual chores of the Ateher.`" One of these chores was to brand the easles and stools in order to secure the property of each atelier from the raids of the others. I had been chosen to do the branding of the new furniture, and, feeling a little pride in my branding ability I went at it in earnest. I had played branding as a child with mother's stove scraper and left a burnt scar on doors, chairs, and other furni- ture and had afterward received the usual reward. And later in life I had done some real branding, but on this occasion there was no need of the rope. The thought of rope brings to my mind the wonder of mus- cular control. One of the boy accomplishments at my time was to learn to throw a rope. It was probably thirty-five years since I had tried it when I noticed my boy James trying to throw a loop over a standing object. I took the rope, adjusted the loop, and started the proper whirl and told him to run. As he ran I 34 Ecole des Benzlx-Arls is the unofficial name of the Ecole Nntionnle et Specinle des Beuzlx-Arts de Pnris. This is the French government school of fine arts and is thought of as one of the important schools of art in the world. The begin- nings of the Ecole were in 1648 (the founding of the French Royal Academy of Painting and Sculpture by Cardinal Mazarin) and 1671 (the founding of the Royal Academy of Architecture by Jean-Baptiste Colbert, the great minister of Louis XIV). Following the French Revolution, the school took its present name with the union of the two academies in 1793. In 1863 the directorship of the united Acrrdemie des Benzlx-AT/s of the Institute of France was transferred to an official of the national government and a board was selected from those considered the most prominent artists of the nation. Candidates for entry into the great school, both in Harwood's day and the present, must pass severe admission ex- aminations, and students must compete every six months to stay in the program. In addition to regular courses, Ecole students also work outside the school in the studios of various professors. 25 An ntelier is a specific artist's studio in which there dents. This ntelier was related to the Ecole des Beaux-Arts. are associated stu- 116
Format application/pdf
Source A Basket of Chips: An Autobiography
Setname uum_ttb
Date Created 2005-04-14
Date Modified 2021-05-06
ID 327596
Reference URL