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Show 145 ARTICLES LEFT OUT OF AMY'S VEGAS NARRATIVE included the way she wound through the canyoned comer of Northwest Arizona at eighty miles per hour while looking for some kind of symbolic rock. The famous descent into Vegas lights. The way some of the train cars were painted so exactly like the train graffiti back home, we were sure they must travel the two worlds. The woman outside the Luxor who wedged herself between us, grabbed one of. each of our hands (my right, Amy's left), said that we must, must try ecstasy. The self-appointed traffic director who shouted "red means go! red means go!" at every stoplight. The men and women with strollers on the street after midnight. The sets of symmetrical shoulder blades. The three-dimensional, interactive M&M film intended for children in which Red M&M gambled the 'M' on his stomach away. The ensuing desperate wander Red and Yellow undergo after regretting the mistake. Apathetic patrons in the casino gambled with the M until the wind carried it out into the streets, left it blowing in the wind directionless, like a kite without a string. The talking socks Red and Yellow interrogated; the socks' disinterest in M's situation, their total focus on |