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Show " T s g dLt\ ? ?Ehmfi ¢ mas ‘;itfi{h : mmtfi = dtm}s'{ I, 5% 1y B 1 i g gy $ 008 withoy jy 4 "G ‘%f"!"fffi And ot Uadry Do oo Rere Ot the Pantom when ol pefo utiety which plesM o Lovers o bntn 0t 1t Advntigs st and an Bee Creumfiancs | m oy 1 1t does o ur ead i the Chape ard; 1ol pro ticlar of thes V > i %Wiflé' y Wh"g" ge'W",'"g' ' Sv Hiftory of Dancing ded into three Parts, wiz. Serious &rotefque, and Scenical; all whic {feem to me at prefent to be made uf of more for Diverfion thanInftru&ien the Performer generally confultin more how to pleafe, than w.hat I$ natural, fit, or proper; yet this Fault i not altogether to be imputed to th Mafter, or Performer, but rather t the deprav'd Tafte of the Spedtators and Cuftom has fo far in this prevail'd that the Excellency of this 4r¢ feem to be wholly laid afide, and to be de generate into a ridiculous unskilfu Movement, which to good Judges pre vokes Difdain rather than Mirth; an gains Scorn rather than Applaufe When therefore I thall endeavour t thew in what the Excellency of thi Art does or ought to confift; th Beauty of Imitation; with the Pleafure and Inftruion" producd fro the Harmony of the Compefition, an Motion the Stag reprefen and juft 1 doubt not, but Maflers o will then endeavour more t and perform, what is proper and the Spe@ator, by thef Obfervations inftru&ed will be mor capable of judging what is valuable i thi 15 |
