| OCR Text |
Show Es a towards a in Ating, and filently demonftratin all forts of Manners and Paflions {fometimes a Lover, fometimes a paifionat Man ; fometimes Madnefs no Excels of Joy, and then Grief, De{pair, &¢. and all thefe with a Grac peculiarly requifite to each Part: An what was morewonderful, on the fam Day, at one time to reprefent Abamas mad, Ino trembling, now A treus, then Thysfles; andjall this don by one Man. inall other Speacle {feveral Things were reprefented by feveral People, or Things : The AiZio of Tragedy, the Humour of Comedy the Performance of the Flute or Harp and Harmony of :the Voice: But on Dancer exprefsid all thefe Things an Perfons 5 for inhis Performance, agreeably :and varioufly, mix'd the Hautboys, the Flute, the Noife of the Feet Shrilnefs of the Cymbal, the tuneabl Voice of the Ator, and the Conforto » Clinch of the Chorus *. BefidesinotherPerformBarne anc s on Pa on o th Ma i feem: 10 em lo 'd i th ng where {fome Part 20 hav fmall Porti onof thi Are only relate to the Body, and others t the Soul: But in zhis ‘Dancing bet were'mixt, and the Mind explain'd b th he wen ¥ Timocra orto yd oo L what P e HETe fi/ gy M rprefen when twere bfusd |