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Show nds ot Imf tWn tohw n D M0 IINCh Wam'mg .NCING " 1rr..'I a.f‘zou ; [Oexph‘ o‘:-tzor‘x‘s‘0 Q{M the byB()dy EURDY toely «'W.'s, a XCOr s P per : Prrfomer by the ) 0 fay ot 2 Wo ¢ Exteley of th % eautes confilt am of all Party b r, Head Arms aod e Wtims, h s renreln e 1d Al | Renveeataio o ethe ot i t w re s, d Symoet a l by wil 0yftimsy I Hiftory of Dancing Attitudes, {o as to be able to judge o the Defign of the Performer An without the help of an Iutérpreter, Spectator fhall at Diftance, by th lively Reprefentation of a juft Chara(ter, be capable of underftanding th Subject of the Story reprefented, an able to diftinguith the feveral Paffions Manners or Aétions as of Love, An gery and the like THE Feet, and Steps, which fee to claim the greateft Share towardsth PerfeGion of this Arz {hall thew will not, as appear fo material a Qua lification towards the Mafterly Performance of ity as the Addrefs of th Body, and juft and regular Movement of the Arms; neither is it fo difficultt obtainan Excellency in the former, as i the latter 5 for whereas the Feet requir only Agility, and conftant Pratice, t arrive at the utmoft Perfe®ion; th Motions of the Body and Arms require a Judgment, and Knowledge i feveral Arts, to qualify them for a juf Performance; for it is by the Motio of the Body and Arms, that he muf exprefs the Defign, and form the Imi:tation; For this Addrefs, and Motio M o 16 |