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Show e 12 ESSA B towards a Conception,that itina manner confound Credibility: Yet the Teftimoniesof Eye Witneffes are tool ftrong to fuffer us t doubt of the Matter of Fa&; but th Accounts are fo ffrange, that they almoft exceed the Belief of our Times where nothing like it isperform''dby an of our French Pretenders to Dancin Nay, even fome of our veft Afforsar fo little acquainted with this Mimicry or Imitation, that they appear 7n/ipi and dull, to any Spectator, who has any Notion of the Charaiters whic they reprefent URHE Mimesand Pantomimes, tho Dancers, had their Names from alling that 15, from Imitation; copying allth Force of the Paffions meerly by th Motions of the Body, to that degree asto draw Zears from the Audience a their Reprefentations. °*Tis true, tha with theDancingsthe Mufick fung aSor of Upera's or Songs on the fame Subje¢t, which the Dancer perform'd ; ye what was chiefly minded, and carry' away the Effeem and Applaufe of th Audience, was, the Action of th Lantomimes 4 when they pertorm' withou 5}.‘3}30{1' Jyfrin TH Momes f ete DeT ation f Centlene gAyufffuminfe that man ity wer femptedt 1 Law ma wtera P te, that 4y tho which us of oldin 1y Inth tand ot (0ughoy if the Ca THE 0%, V e N i Gi)‘?m W\gy Ind a.‘j‘" |