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Show ‘3."1 s lfll,planted Ny Chily 8 ¢ oy N f g l Lang 1l for La ph%h L0025 f btt L, Which e S&‘mfl ke ioto i e Gubedt of e '.i n':g;. e w ye fh o o i fl lo B s '! i Hiftory of Dancing th an tr Po o ni Di th Jo s zo Mo ef fe fe lo ic other into ri infignificant Cap'rings » and worthlef Agility 5 tho' both of thefe arc wha the Englifb have generally been to ce Da an tr Po the i o fon an Wi /i En th to the Scandal o Ability 3 and to the Difincouragemen n al wh s me fo Pe li En of ou lo {f thi n iv re o ab ca {fe loft drt of imitative Dancing BUT toreturn again to my Pantemime 3 1 think it i1s (from what ha been faid) fufficiently apparent, tha this FPantomime, or univerfal Atto in Dancingswas, or oughtto have been acquainted with all the Fables of th old Poets, fince he was to defcribe tha by Motion alone, which the Poet paino lo Ph ds Wo eb Li th ted out t phy therefore, Moral and Natural Rbhetorick, Painting, Sculpture, and th un cét per like, the old Pantomime ts Pl the mi fo th fo od derft Charatters , Figures, Motions, &c They were throughly fkill'd in all thof poetical Fictions, whence they dre the Subjec of their Reprefentation io «4c e ox af tha al which wasfro an 13 |