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Show 13 Essax towards a > Sir Tho. € ‘egciate, E iot i th End of his Praif bis Gover wor gives DArIAN the [am Such was the natura whic 2oth.6.of Imitatio th extorte BEFOR Forc of thi even fro I go an farther a BarI thin mimes as 111derations on what has been faid b bave, - Lucian on this Head, left the feemin and concludes 'em EiXtravagance of what he has advanc loo mor lik Fable or th maybehold E1y perbolical Exaggerations of 'a PanyHere aMa what Craft gerift, than Truth :}d {OH ]Ufl i':}'é"l'i;';;zf my {elf oblig''d to premife fome Con thus, -~ fhoul il be 00y pa e inlo dat it Spcf,arc Bilin ( foge more ( rniré dla fofl fi I doubt not bu waanscien7t e it| will fufficiently furprize the Reader Times in 1f he have no Notion of Dancing bu D n i g h which a this Dayno Vations of our modern Performance e any thi Uniine Hitiow for | confefs from thenc fiong of Manca lmagm 1 this Art conjecture Bu:if Me would no apply th firft Par o N€ Dever can 1magine how it s neceffary for the Dancer to be indifpenfabl 4Cquainted with all thefe Particulars o the ancient Story. He will, it is cer o thelr tain, find nothing of the chief Part o isto y, the ancient Performance in our Time fro fev th bef o th Fr nc Da ce s wh Yearst twenty effectually in the Sciences liberal, and Knowledge of Hiftories, the wouldrevive the ancient Form as well of Dancing, as of -other Exercifes ; wheredf they might take not enly Pleafure, 6ut alfo Profit an Commodity hav Tha «‘ 08 (i ting o Xfore b Wit ( C';}r{:hs ATF'H‘ T ka Pd |