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Show 7 EssA ¢ felves whe towards a firippd fo upo thi ¢ Foundation (which 4thothus, or th ¢ tirlt &Egyptian Mercury 1aid) wa ¢ afterwards rais'd the Gymnaftic Art --Of which Dancing was a confi derable part, both here, in Greece, an in Rome; as I have already obfervd i treating of Dancing in general WHAT I fhall further remark her is, that our EgyptianOriginal,make Mufick more Ancients; and that Azhothus takes this Hint of Dancing fro thofe Motions which our Attention t Mufick naturally gives the Bodies, a leaft of fuch, whe are very much «fJected with Harmony. This, whethe the real Caufe or no, we can bring n other Vouchers for than Ancient Tradition 5 but it is grounded on the high ¢/t Probability imaginable But Dancing in Italy, as we fhall fee when w have pafs'd through Greece was firf perform'd without either Pocal or InSirumental Mufick; then it call'd in th Foice t its Affiftance, and laftly ha Infiruments appropriated to it ; but no toanticipate what we have to {ay of Jz4lian or Latin Dancing, we thall no paf 1nto Europe from ¢Zgypt an hea | hfi-what | ;rfbroug fo | i FIRS (uleh o fomy | afi which Rhodg (ot dith t the Co ( fir th tudent i hearth Melanch v e PW | o g |
