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Show 546 CONTENTS. CHAP. X. On Order - . . . - - - 172 The Pleasure arising from Order . . . - 173 CHAP. XI. On Variety and Contrast - - . . . 174 CHAP. XII. Stage Effect - - - - - - 176 CHAP. XIII. On Characters, Soliloquies, and Monologues - - - 179 CHAP. XIV. On Dramatic Moral - - - - - - 186 CHAP. xv. On the relation subsisting between Music and Dancing - - 183 CHAP. XVI. On Decorations . . . . . . 190 CHAP. XVII. On Costume . . . . - . 193 CHAP. XVIII. On French Composers and Mimes, or Ballet Performers - - 198 CHAP. XIX. On Italian Composers and Mimes, or Ballet Performers - - 202 CHAP. XX. On the different kinds of Ballets - - -207 CHAP. XXt. On Models, and the method of studying them . - - 218 CHAP. XXII. The Composer, or Ballet-Master . . . - 231 CHAP. XXIII. General Admonitions - • - - - - 237 CHAP. XXIV. On Programmes, or written Plots - - • 241 Notes to Part the Fourth - 244 PART THE FIFTH. PROGRAMMES, CONTAINING EXAMPLES OF EVERY SPECIES OF BALLETS - - - 259 Preliminary Remarks - - ib. The Wrath of Achilles, or the Death of Patroclus; a Heroi-Tragical Ballet, in Five Acts - - - 262 |