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Show THEORY OF THEATRICAL DANCING. 105 PLATE V. Fig. 1, 2, 3, and 4. Poses, preparations, and terminations of terns, and steps. 5. Different position of the hand and arm in certain positions. PLATE VI. Fig. 1. Second position in the air, and on the toes. 2, 3, and 4. Different attitudes, derived from the second and fourth position. PLATE VII. Fig. I and 2. Different attitudes derived from the fourth position. 3. Position of the dancer in beginning his pirouette from the outside. 4. Position of the dancer in beginning his pirouette from the inside. Arabesque on the two feet. PLATE VIII. Fig. 1. Attitude. 2. Attitude seen side ways. 3 and 4. Different manners of placing one's self in attitude. PLATE IX. Fig. 1. The Mercury of J. Bologne. 2 and 3. Derivatives from that attitude. 4. Position of a pirouette on the instep. PLATE x. Fig. 1, 2,3., and 4. Arabesques. PLATE XI. Fig. 1 and 2. Arabesques. 3 and 4. Arabesques backwards. PLATE XII. Fig. 1,2, and 3. Arabesques. 4. Position of the dancer in movements of elevation and in entrechats. 5. Elevation of two feet in height. |