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Show PROGRAMMES OF BALLETS. 291 ACT II. The interior of a magnificent Temple dedicated to the worship of Venus. In the centre appears a statue of the Goddess, before which an altar is raised. THE adorers of Venus enter dancing, some bearing baskets of flowers, others garlands, coronets, &c. Sacrifices are made to the divinity; and dancing accompanies religious ceremonies. • Phcedra now enters, attended by Oenone. She slowly approaches, and prostrates herself before the statue. Every one follows her example ; a basket of offerings is then given to Oenone, who receives it and presents it to her mistress, who places it upon the altar. The sufferings caused by a violent and unfortunate passion appear deeply marked upon the features of Phadra; her deportment evinces the dreadful state to which she is reduced. She invokes the Goddess, and implores aid in her distress. After the gifts are offered, the dances are renewed. Oenone has closely observed her mistress; greatly surprised, and sensibly affected at the pain she appears to suffer, she desires to know the cause. The amusements are now suspended, and Phcedra motions all to retire but Oenone. (During the preceding ceremonies, Phcedra commands Oenone with a mysterious air to seek for Hippolytus, to w h o m she would speak; her confidant obeys, and after some minutes returns.) The looks and gestures of Phazdra express the disturbed state of her heart; Oenone observes it with astonishment, and wishing to interest herself in the fate of her mistress, demands the cause. The distress of Phcedra increases, she shudders at the idea of disclosing her griefs. Oenone presses her with prayers and tears to reply. Phcedra is |