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Show PROGRAMMES OF BALLETS. 377 tions. Tunder, angry at this awkward circumstance, and disappointed at being unable to conclude the match, enters his cottage greatly chagrined. Carlo and Anna, notwithstanding the vanity of Tunder, place the sign painted by Teniers over the door of the inn. Anna relates what has passed, and proposes means to effect their union. T h e two lovers then exchange proofs of affection, which inspire the delightful movements of the dance. They are suddenly interrupted by a noise of hunters ; Anna enters the inn, and Carlo retires on the opposite side. The Archduke Leopold enters, habited as a hunter; having separated from the train, he has discovered this agreeable retreat to repose and refresh himself. The hostess, entering from the inn, soon perceives him, and taking him for an officer of the Duke's, asks him if he wishes for any refreshment; Leopold answering in the affirmative, Dame Fritz calls her daughter, and desires her to attend to their guest. The latter pays a particular attention to the peculiar gentility of Anna's person; and demands the name of the inn ; the girl replies by pointing to the sign ; the Duke is instantly struck with the subject of the picture and the beauty of its execution; he expresses feelings of gratitude at the zeal of his tenantry in thus honouring his effigy. The music to be employed in the celebration of the approaching wedding is now heard, and Leopold is invited to form one of the party. Carlo enters at the head of a gay troop of villagers ; Fritz enters from the house, and Teniers and Tunder appear. Carlo draws the attention of his companions to the newly painted sign, while Leopold secretly enjoys the effect produced by his own portrait. Loyalty to Leopold, and praise to the painter, become the general |
