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TitleDateSetnameType
1 Electronics to accompany the Feild and Its Knower2011-03-10ir_somText
2 Electronics to accompany Little Portraits2011-03-10ir_somSound
3 Electronics to accompany Late June2011-03-10ir_somSound
4 Composing with vocal physiology: Extended vocal technique categories and Berio's Sequenza III2011-05ir_somText
5 Electronics to accompany At Times She Believed Everything Loved Her2011-03-10ir_somSound
6 Electronics to accompany Ingrid, over Her Tidepool2011-03-10ir_somSound
7 Audio Examples for Paper/Appendix2011-03-10ir_somSound
8 Study of Hispanic and non-Hispanic white music teachers' influence2008-08ir_somText
9 Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices2010ir_somText
10 A survey of early childhood public school music in the district of columbia: assessing content and teacher preparation2015-05ir_somText
11 The choir school of the Mormon Tabernacle Choir: history and curriculum 1999-20132014-12ir_somText
12 The influence of formal music instruction on the construction of musical identities of conservatory jazz students2014-08ir_somText
13 Student attitudes toward the use of learning centers in the elementary general music classroom2011-12ir_somText
14 Functions of popular music in the lives of adolescents2010-02-10ir_somText
15 The effects of conducting-gesture instruction on high school string orchestra students' recognition of and playing response to common musical conducting emblems2012-08ir_somText
16 Contemporary American art song: John Alden Carpenter, Charles Edward Ives, Aaron Copland and Ned Rorem1966-08ir_somText
17 Generative music2014-12ir_somText; Sound
18 Troubled authenticity amd the romanticized West: reevaluating Charles Wakefield Cadman's 1918 opera Shanewis2013-05ir_somText
19 The Fitzwilliam virginal book: historical background and performance practice issues2009-05ir_somText
20 Tiny infinity for orchestra and Stefan Wolpe's Zone technique and Ralph Shapey's late music: an intensive analysis of String Quartet no.92014-08ir_somText
21 Diffused paradigms: musical depictions of biodegradation, refraction of sound, and memory deterioration in Sorensen's Sterbende Garten2011-05ir_somText
22 The triumph of joy over tragedy: pitch A in Mahler's Fifth Symphony2013-05ir_somText
23 Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble2010ir_somText
24 Part I: Sofia Gubaidulina's approach to pitch centricity in Two Paths: music for two violas and orchestra a dedication to Mary and Martha (1999) Part II: concerto for clarinet and orchestra2011-12ir_somText
25 Spheres2009-05ir_somText
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