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Show b= A it wa the a ftrang imaginatioi l W a P o u f g t n f b F Ben i t t c w S i A Tully's Orations hisdry Mora's, and a tedious train of Sen tences might do feats, or have any wonderful operation in the Drama Some go to fee, others to hear a Play The Poet fhould pleafe both; but be fur that the Spectarors be fatisfied, whateve Entertainment he give his Audience But if neither the Show, nor the Adtio cheats us, there remains f{till a notabl vehicle to carr off nonfenfe, whic i the Pronunciation By the loud Trumpet no(éVOF (hige fe el 0¢ {gg'f:‘if e jnl e e Vhat th No of W them, thitoa0 Bmi'.h which our Courage aids We learn, That [ound, as well as [enfe per[wades (c Demofthenes (d) had a good ftock o Senfe, was a great Mafter of Words could turn a period, and draw up hi tropes in a line of Battel ; and fain woul he have feen fome effect of his Orations no body was mov'd , no body minded him He goes to the Playhoufe, bargains wit an Aor, and learn'd of him to fpea Pulpt i0d havi 1 fmpri Con thf 1§, 115 Make, Upon Hr mfro, Roundly and Gracefully : From that time lor the ing man ! whenever he {pake, no divifion tther Who but Demofthenes? Never {uch a lead(c) Waller b men thll'd fO (d) Plutarch, Demofthen no {.:3 Plu |