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Show L R ./ e (i8 CHA The Co/N: T8 N'T°3 Tragedy before Thefpis. fick and Dance follow th care of the Stage, as o Perfon to build a Chappel Jent Plays Religions Wor[hip : MuChorus : Government Religion No Privat Young men not to pr Didafcalia, and Tragedy-do&ors Difficulty Publick Reventte for Plays." Theatremoney facred End of Poetry. What eff:& b Aeichylus Of hisPerfians. Schools for Boys Stage for Men. Charatter of Ariftophanes. 0 pinion of the Perfian Ambaffador., The State take aim from bhim Spares wot bis Mafter the Peaple Democratical Corruption His Acfdref: unsmitable Comedy after him dwindles,, Sénewhat like hi among(t the Moderns Ribearfal Alchymift Vertuofo. Rabilass End of Poetry with the Romans 7 ragedses by thei Great Men Al meflfltion O/d Romans averfion to Poetry Plays t them Greeks remov the Plague The ufe hardly Rnewn Horace an Virgil Num Pompilx‘us 12 Tables. Stage Never 1mprov'd b Far (hors of th Thei Condug Terence' Complaint Wante Show _An eA4ction, Athens the Soil for mmatick Peetry A forreign Plant with the Romaps They for th Eye, pleas'd more with the outfsde. T eir Theatre confiderable, not the Iragedies win, All 2 | aurely vice fo came 1 mittedo fome Jm Lie. peecti da nec Mufick with th 1o par of Phil The tthCRC and 3 L&WS Horace's Reafon Make Uthors generally look no higher tha (Tatea Thefpis for the Original o 7; ragedy yet Plato reckons it much ancienter Minos, (a)lays he,for all his wildom, a ( #) Minos dia OVeEr 1 lime Vome W e S |