Short view of tragedy; it's original, excellency, and corruption. With some reflections on Shakespear, and other practitioners for the stage

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g b\mdfide kX S We\aug As when by night and negligence the fiv Is fpiedin populous Cities "Ydmua For, What Ship? Wh 18 o Wee Eyes; and %0 reprefen 4 Tongue ithout any of the Tra up for the 4 without wd y baggage, t a thepulh bombaft Cire d Actiona inconfillent, ot deltny omethisntg drone toa e Adhi K Would nat § Jago's e Anfwers *Tis one Jago, Auncient to the General H A has ha Jpeed mof Favourabl an Th Happ Tempefts themfelves, high Seas, and houlin W inds The guttered Rocks, and congregated 8ands Traytors enfteep'd, to clog the guiltlefs Keel As having lenfe of Beauty, do omi Theiy common Natures , letting go [afely b The divine Deldemona Is this the Language of the Exchange or the Enfuring-Odice? Oncein a man' life, he might be contentat Bed/am to hea fuch a rapture 1In a Play one fhoul {peak like a ma of bufinefs hi fpeec muft be IMonmpz, which the French rende Agiffante 5 the ltalians, Negotiofa, and Operatzvay but by this Gentleman's talk on may well guefs he has nothing to do And he has many Companions , that ar r fl"'lt ! " is Arrived -- Hey day 1 know not what todo, nor what to fay. (4 (%) Rehsarfal B I