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Show o Come GL .. P, Bugi C.HA The G 0 N T B N.T lemw 4y p Thg Chorus keeps the Poet to Rules. . A fhow to th 4. Monfew Spectatorse . Two Senfes to be pleafed. The Eye by the Show, and by the ACtion. Plays Alte without Words. ~ Words often better out of .th way Inftances in Shakefpear and Seweca Noted Ben. Johnfo To the Ear, Pronunciatio ¢ all in all. The Story of Demofthenes fiftakes-in- Fudging. Two fores of Fudges. A & Third fort. Fudgesupon Oath. InFranc Athen Fndges divided abous the Cid. Cardinal Richelie P CHA L againff the Majority At the Thomas Morus weeping unawares. Horace Angry with Shows The French Opera inconfiffent with Nature an At Paris Chrift' Good [enfe. Burlesk Verfe Paffionin Burlesk, A Tragedyof Aefchylus. Th defeat of Xerxes. The Subjett, and Oecconomy How smitated for our Englith Stage. King Joh of France, Francis 1. Prifoners. The Spanif An imitation, recommende Armado in 83 My, Dreyden t ‘ N 7'H AT Reformation may not w expelt now, thatin Francethey fe the neceflity of a Chorasto their Tragedies Boyer, and Racine, both of the Royal Academy, haveled the Dance; they have trie the fuccefs inthe laft Plays that were Pre{ented by them Th gt i |
