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Show 589 (122) Henry James' view: see Stein, John Ruskin and Aesthetic Thought . . . , p. 83. (122) "No tongue can tell . . .»: King, Mountaineering in the Sierra Nevada, p. 142. (122) "The varying hues . . .": King, Mountaineering . . . , p. 305. (123) "no sentiment of beauty . . .": King, Mountaineering . . p. 97. (123) "a fearful sense . . .": King, Mountaineering . . . , p. 303. (123) "descending masses . . .:" Whymper, Scrambles . . . , p. 110. (123) "a strong smell of sulphur . . .": Whymper, Scrambles . . . , p. 93. (124) "to prove . . .": Leslie Stephen, The Playgrounds of Europe (1871; rpt. London: 1899), p. 69. (124) "Now the first merit . . .": Stephen, The Playgrounds . . . , p. 316. (125) "do not usually yield . . .": Whymper, Scrambles . . . , p. 119. (125) "I think the grandest . . .": Whymper, Scrambles . . . , p. 120. (126) Muir's discussion of artists and aesthetics: "In the Heart of the California Alps," pp. 345-49; I follow this early version in this section of my discussion. (128) "When looking . . .": "In the Heart . . .", p. 351. (129) ". . .no one can decipher . . .": Stephen, The Play- |
