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Show 587, (107) "the style . . .": Studies, p. 15. (107) The rewritten version: Wolfe, p. 16 3. (108) "the unfolding . . .": Suzuki, Essays in Zen Buddhism, p. 230. (108) "Satori is . . .": Suzuki, Essays in Zen Buddhism, p. 263, (108) Athletic event: This is completely misunderstood by Clarke, The Life and Adventures . . . , p. 114. (108) Forgetting himself in the woods: LtF, p. 7. (108) "limbs moving . . .": MoC, p. 60. (109) The "watercourse way": see Allan Watts, TAO: The Watercourse Way, with the collaboration of Al Chung-liang (New York: Pantheon Books, 1975), pp. 39, 41, 76. (109) "Down through the midst . . .": MoC, p. 50. (109) The tension and something beyond: see Eugen Herrigel, Zen in the Art of Archery, trans. R.F.C. Hull (New York: Random House, 1953), pp. 54, 65. (110) Ecological thinking: Gregory Bateson, Steps to an Ecology_ of Mind (New York: Ballantine, 1972), pp. 314, 499. (110) Flexibility: see Bateson, Steps to an Ecology of Mind, pp. 462-63; Herrigel, Zen in the Art of Archery, p. 54. (111) "We should trust . . .": Bateson, Steps to an Ecology of Mind, p. 463. (Ill) "one feels far from home . . .": West of the Rocky Mountains, p. 458. (111) "m climbing . . .": JoM, P- 296. (112) The view from Half Dome: "Summering in the Sierra. |