| OCR Text |
Show A ' t 1 PR Jaft Dear At Conntre | Dicitur e A e T A . un rernity e 1 chilling pan Bu Stil An Jac ,..fi_.fi‘.,u e R BR Power TR eN i TS T P \""!; "" B The . Fo No Eve 2:u o TR i 41 As chief Supporters of the Tripple-Crow p r i i r f d f e r t i And A p P ng O a n S t ' l c b Some [a o t v r D o l h l t l m f Which b Rome all you Heathen Wits [hall go to Pot disbelieving of a Popifb Plot (hould we want the Sentence to depart in onr firt Original, a Cart do g lea n'd th ug zuf Occham, Dun, Scotus s of JOV 'tis the Talent of owr Englith Nation to be plotring fome New Reformatio [ome years bence, if Anarchy go on Presbyter will here ereét his Throne Afld'every Pyayer be longer than a Play vexiflc Poemata Thefpis Knock ont a Tub with Preaching once a Day ndlefs Sea fa abrace ) othet alt o giv mpire e Plaunftris Was the firft Mountebank, ere trod the Stage Yer Athens wever knew yonr learned Spor Of toffing Pocets in a Tennis-Conrs ‘ Wakes fung Ballads in a Cart But Ef(chylus, /ays Horace, in fome Page -- ; To prove this truey if Latin be no trefpafs eN lowine ?o the Univerfityof O X F O R D "HESPIS, the firff Profeffour of onr Are ;.vely die, - [Ex 1 v LOGU Written by J. Dryden, Efguire e tell ;/Mcnmdff Ay n et farewel NSR P !1 Gift T A R To Rome our DroopingEagles then fhall fteer Where after tirefome honours, we'll repai To fome fmall Village, Lelius, thou and I And ftudy not to live, but how todie e y Lo ove .1. y Hin gy leeks forflke hadft thou liv'd, our Arms might have fubdu' 3 - Which bt aw SR Since thou, moft great and lovely Prince, art ea War's Marches Scipio fhall no longer tread With Carthage Peace we'll inftantly conclude Ty Beholding two fuch Royal Lovers flain ~ Scip. Thefe unexpedted Objects fo amaz My Reafon, I could ever on 'em gaze g 5 What cruel Eyes could pity here refrain v Lel Hannibal's Overthrow BT el o - W Shall thence call'd a Pipe of Infpiration Your wifer Fudgments farther penetrase Who late found out one Tare among[t the Wheat T 1 Bus who diflikd bat k [ i [L [ 1Y WA 0y ERILOGU |
