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Show 77. are intrusive never and add to the reticent beauty of the whole." Of Yeats's work for the theater far removed feom the England had best and to one a singer in great turn to his essays the dramatist, a note English tongue. entirely to new Weygandt "I wonder, is the He has most are the on theater Yeats greatest living brought in his characteri8ejc English poetry: say s a Irish Theater."IMr. but he dream-drenched poems, that of commercial theater of Lady Gregory's book "Our is not establishment of him, (Krans.) : 's the reason for the poet's hold- are ing devotedly so very that the as that spiritual things of his holding same tales to take him to of his kind peasant countryman a world as rich and a poet no has than Mr. short out It Yeats. lives, our is, soon he says, ended "our passions of conceit with sooty and feeble poet seeks refuge in his of the life and--one from which he almost such and dare own a youth, of life. narrow and But Change" our rooms, put reality." the in So say--in communication us contemplation and to which he will joy. The poet's life church of and emotions dream and came to brevity often lamented "Fate and Time more folk gorgeous-hued of the part of all poetry is the realization of the after death? A large better world ll beautiful things,--of bloo. the to Ireland about him is bare and gray. prepares him for /not return, with which he is little because now knows has things: found out the littleness of earthly the he peasant |
