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Show The national drama of Ireland today presents four varieties of Ireland who GO not allegorical and that mysticism the read Gaelic more takes them out legends and that for life, third eeque, at'['" Heatheield of in in the in a of Edward of and time; heroic the the touched wi th are spirit the of second, spirit comedy with pla.ys of contemp part comic, but pathetic few instances." plays outside only three. First space the most of variety "'-- critics matters; third, tragic and critical the find deal else or modern historical orary peasant the philosophical "whi ch folk-history plays with ancient in plays although are the with- Partly drawing-room ) Ibsen of· the Martyn, treating problems of contemporary ing of the Bough ;" varietl/ Irish land-ownersJI\.Moore-Martyn muni a cipal muddle. ) land, Australia and ever ed given in of the played and making Ireland In allegorical states Rope" Dublin theater. a in this thesis because Gaelic has the the United Hyde's "Twisting Dr. being played are a the is land of first and the of the playing one schoolmaster's subjects and of contemp- , orary Irish characters fourth the and plays by scholars, priest, re11g10nB.egendary treating of In "Bend- was The in Ireland, Eng- by Gaelic societies. the Irish first play Gaelic play is treat-Ki part the revival of in the movement that is people. va.riety of Irish drama, philosophical,Yeats is the second,--folk-history, Lady Gregory reigns; the ruler; in the in |
