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Show 22. out of the ideas "For intentions take explain why have our must seem Mr. singular rather and the amusements be to new of here too for art London history theatrical importance or the where it a.nd is too conditions. And London the and a the as all to a extending greatest now over dramatic ten writer writers whose work rises us that poet is London has appreciated ceased on the , have of experience our failed of years--of since be stage. a We where regard we and commonplace, have enter failure:&--a him whom place the the an Shakespeare, the the completely provides constant 'l'he above to knowledge and Maeterlinck, dialogue, cne London of any appreciation our KX.CX.K ordinary writer, by the little tainment whi ch pleases every failure unlimited, permit essence Ibsen where stage, whereas dresses, scenery, is expereince. of some the conditions is that produce believe we to It very little audience wealthy great dramatic poets of modern timex, on to and because world, and to London. this belief rests upon and fact in choose people the Bough', the always forthcoming when Well, the should few play, my myself prefer rather than we are is old, of theatrical of London there Bending of and Yeats, that London, artistic movement, the the explaining publication of 'The in Dublin sale. too large, Mr. to many in the called Martyn, too, which are art: new a of necessity advantage of where than purse, creation of the plays produced plays in Dublin, money, time Town', a the Irish Literary Theatre has been pressing the I 'The Tale of to some of So upon us. anent of signifies the there!'ore workof turned |
