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TitleDateTypeSetname
176 Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier2015Textir_etd
177 The hopefuls: growing sideways in the choreographic process2017Textir_etd
178 The horror of sexual violence: The representations of rape in American horror story2014-05Textir_htoa
179 How contact improvisation can inform the creative process and enliven its product2008-05Textir_etd
180 How Creative Movement Practices, Such as Storytelling and Personal Narrative, Act as a Medium for People with Disabilities to Understand and Express Identity2014Textir_htoa
181 How Much of What We Did Was Good?2019Textir_htoa
182 The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird2015-08Textir_etd
183 Hyperbole for flute, clarinet, violin, cello, and piano1996Textir_uspace
184 Icarus Chair2002Imageir_uspace
185 Icarus Chair (detail 1)2002Imageir_uspace
186 Icarus Chair (detail 2)2002Imageir_uspace
187 Incantation Bowls2007Imageir_uspace
188 The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 151994Textir_htca
189 Installation View of 'Four Worlds' (left) and 'Heart, Hand, and Lung Milagros' (right)2005Imageir_uspace
190 Interpretation and analysis of three works for the Bassoon1958Textir_etd
191 Intimacy for deconstruction: the role of female relationships in choreography2017Textir_etd
192 Italy: My catalyst2013-05Textir_htoa
193 Jacob's Ladder2004Imageir_uspace
194 JodyImageir_uspace
195 Joe Hill: A visual exploration of the myth and the man1994-06Textir_htca
196 Journey2007Imageir_uspace
197 Journey (detail)2007Imageir_uspace
198 Katherine Anne Porter: Five southern stories1977-06-10Textir_htca
199 Keyframe: Six Images for Jazz Sextet and String Quartet2020Textir_htoa
200 Keys For Houses That Are No More2009Imageir_uspace
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