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TitleDateTypeSetname
176 Pins, felt, and cloth: performing Mormon feminism2014-05Textir_etd
177 After the rhapsody: George Gershwin in the Spring of 19242014-01-01Textir_uspace
178 Performing the document in Francis Alys's re-enactments (2001)2013-12Textir_etd
179 The beautiful beast: the subversive power of monsters in the aesthetics of dance and individual expression2013-08Textir_etd
180 Stage peacocking: the amplified self in performance2013-08Textir_etd
181 Dance training as mechanism for overcoming the technologization of the body2013-08Textir_etd
182 Editing in the choreographic process: "I am a work of fiction"2013-08Textir_etd
183 Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes2013-08Textir_etd
184 36 frames: a self portrait2012-05Textir_htoa
185 Belongings: a material lineage2007-12Textir_etd
186 Motion pictures2006-05Textir_etd
187 Aerial alchemy2010-05Textir_etd
188 Paper & tape2008-05Textir_etd
189 Querl dismantling the book2010-07Textir_etd
190 The history of Cyrus Edwin Dallin: Eminent Utah sculptor1948Textir_etd
191 Creolite and cultural cannibalism: reconstructing Cuban identity in the work of Marta Maria Perez Bravo and Maria Magdalena Campos-Pons2012-12Textir_etd
192 Dance theatre of Alwin Nikolais1905-05-20Textir_etd
193 Three creative projects in directing: an original play, a scripted film, a documentary film1974-12Textir_etd
194 Artists live on islands: limitations as a creative ritual2012-08Textir_etd
195 Painting the town, inside and out2010-03-15Text; Imageir_uspace
196 Arts-based service-learning: a state of the field2008Textir_uspace
197 Blues M?gico2009Textir_uspace
198 Desde el Límite2006Textir_uspace
199 St. Mary Magdalene at the Holy Sepulchre: fantasy on a vespers hymn from the feast day of St. Mary Magdalene2006Textir_uspace
200 Meditaci?n1997Textir_uspace
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