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Creator | Title | Description | Subject | Date |
176 |
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Chuaqui, Miguel Basim | Cuarteto Claroscuro | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi... | | 1997 |
177 |
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Chuaqui, Miguel Basim | Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 |
178 |
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Chuaqui, Miguel Basim | Dream Swim | Score for work for 2 violins, viola, and 2 cellos. | music, score, strings, quintet | 2011 |
179 |
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Chuaqui, Miguel Basim | Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 |
180 |
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Chuaqui, Miguel Basim | Salmo 139 | Choral music work in Spanish based on Psalm 139. | music, SSATB Choir | 2009 |
181 |
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Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, Cheryl | Evening of baroque music | | | |