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TitleDateTypeSetname
151 Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts2015-08Textir_etd
152 Gold powder and gunpowder: the appropriation of western firearms into japan through high culture2015-08Textir_etd
153 Nothing but me: a study of identity through choreography, performance, and education2015-08Textir_etd
154 Using Rudolf Laban's effort system as an inroad to choreography2015-05Textir_etd
155 The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird2015-08Textir_etd
156 Towards a decided body and choreography2015-08Textir_etd
157 Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance2015-05Textir_etd
158 Beyond classical: mixing in the belt. An exploration of musical theatre singing2015-08Textir_htoa
159 Stockham: the father of digital audio recording2015-04Text; Image/MovingImageir_etd
160 Wild, wild love: Developing new work for the stage2015-04Text; Image/MovingImageir_htca
161 Bifurcate: Intersections and Photography2015-04Text; Imageir_etd
162 Time and light souvenirs2014-12Textir_htoa
163 Notes and a narrative to accompany a piano recital2015-05Textir_htoa
164 The original: A process of producing a short film2014-12Textir_htoa
165 Faustus, Marlowe, and Bosch: Intersections of medieval fantasy imagery2015-04Textir_htoa
166 Modern representation of female protagonists in media: An exploration of identity2014-12Textir_htoa
167 Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats2015-05Textir_etd
168 Embodying eclecticism from potential to actualization2014-08Textir_etd
169 Bodily transfer and sacrificial gestures: rethinking the Hungry Tigress Jataka in Mogao Cave 2542014-08Textir_etd
170 The search for individuality in the choreographic process2014-08Textir_etd
171 Dance hacking: digital technology and the performing body2014-08Textir_etd
172 Terminal structures: Ant Farm's Cadillac Ranch, 19742014-08Textir_etd
173 Situating Helen Frankenthaler's Wizard2014-05Textir_etd
174 Pins, felt, and cloth: performing Mormon feminism2014-05Textir_etd
175 After the rhapsody: George Gershwin in the Spring of 19242014-01-01Textir_uspace
151 - 175 of 253