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CreatorTitleDescriptionSubjectDate
101 Snapp, BrianCollapsible Chair (back)Chairs -- Art2005; 2006
102 Snapp, BrianFlying ChairChairs -- Art2005; 2006
103 Snapp, BrianHighchairChairs -- Art2005; 2006
104 Snapp, BrianPit Fired Vase (side A)Vases2008
105 Snapp, BrianPit Fired Vase (side B)Vases2008
106 Snapp, BrianMartini (1)Martinis -- Art2005
107 Snapp, BrianMartini (2)Martinis -- Art2005
108 Snapp, BrianMartini (3)Martinis -- Art2005
109 Snapp, BrianMartini (4)Martinis -- Art2005
110 Snapp, BrianMartini (5)Martinis -- Art2005
111 Snapp, BrianMartini (6)Martinis -- Art2005
112 Erickson, John OwenHoly CowForm: painting; Medium: oil and latex; Dimensions: 11 x 14"Painting2008
113 Chuaqui, Miguel BasimCasi CuecaI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
114 Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, CherylEvening of baroque music
115 Chuaqui, Miguel BasimDe metal y madera: for flute, cello, percussion, and electronics1999
116 Chuaqui, Miguel BasimBlues RoncoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
117 Chuaqui, Miguel BasimHyperbole for flute, clarinet, violin, cello, and piano1996
118 Chuaqui, Miguel BasimBlues en el CorazónBlues en el Corazón is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of al...3 Pieces for Piano; Music2009
119 Chuaqui, Miguel BasimCuarteto ClaroscuroI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi...1997
120 Chuaqui, Miguel BasimMareasIn Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ...Tides; Carlton Vickers; Chilean music; Bell sounds2005
121 Chuaqui, Miguel BasimDream SwimScore for work for 2 violins, viola, and 2 cellos.music, score, strings, quintet2011
122 Chuaqui, Miguel BasimDanza del OcasoDanza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati...Dusk Dance; Latin American; Three instruments1998
123 Chuaqui, Miguel BasimSalmo 139Choral music work in Spanish based on Psalm 139.music, SSATB Choir2009
124 Krensky, BethOfferingForm: sculpture; Medium: copper, gold leaf, soil from Israel; Dimensions: 2 x 12 x 12"; 8 x 3 x 3-1/2"2005; 2006; 2007
125 Krensky, BethIcarus Chair (detail 2)Form: sculpture; Medium: wood, copper, and mixed media; Dimensions: 36 x 17 x 17"2002
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