Title | Date | Type | Setname | ||
---|---|---|---|---|---|
51 | The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture | 2011-08 | Text | ir_etd | |
52 | The gum bichromate process | 1995-12 | Text | ir_htca | |
53 | The history of Cyrus Edwin Dallin: Eminent Utah sculptor | 1948 | Text | ir_etd | |
54 | The horror of sexual violence: The representations of rape in American horror story | 2014-05 | Text | ir_htoa | |
55 | This is the place: site-specificity in Ernesto Pujol's Awaiting (2010) | 2011-08 | Text | ir_etd | |
56 | Time and light souvenirs | 2014-12 | Text | ir_htoa | |
57 | Transformed into omnipresence | 2013-05 | Text | ir_htoa | |
58 | Translation and adaptation to english of the french plays "Marius " and "Fanny" by Marcel Pagnol | 1953 | Text | ir_etd | |
59 | Weighing iconography of love in classical and early hellenistic art: considering allusions and metraphor in images of aphrodite balancing EROS | 2012-08 | Text | ir_htoa | |
60 | Yin Yu Tang and the effects of re-contextualization on vernacular architecture | 2016-04 | Text | ir_htoa |