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Creator | Title | Description | Subject | Date |
26 |
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Krensky, Beth | Icarus Chair (detail 2) | Form: sculpture; Medium: wood, copper, and mixed media; Dimensions: 36 x 17 x 17" | | 2002 |
27 |
|
Krensky, Beth | Icarus Chair | Form: sculpture; Medium: wood, copper, and mixed media; Dimensions: 36 x 17 x 17" | | 2002 |
28 |
|
Krensky, Beth | Liberation | Medium: mixed media; Dimensions: 9 x 54 x 8" | | 2002 |
29 |
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Webster, Maryann Sorensen | Motherboard III | Form: object/sculpture; Medium: porcelain, china paint, circuit boards; Dimensions: 16 x 11 x 7"" | | 2002 |
30 |
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Webster, Maryann Sorensen | Moth Spirit Reliquary | Form: object/sculpture; Medium: porcelain, china paint; Dimensions: 14 x 13 x 7"" | | 2002 |
31 |
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Webster, Maryann Sorensen | Monsanto Pond | | | 2002 |
32 |
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Krensky, Beth | Presente II | Medium: photo transfer, embroidery; Dimensions: 14 x 10" | Photo transfer | 2003 |
33 |
|
Chuaqui, Miguel Basim | Canto Repartido | El Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the... | Shared Out Song | 2004 |
34 |
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Krensky, Beth | Where Are My People? | Medium: photo transfer, paint, thread on copper; Dimensions: 8 x 11" | Photo transfer; Thread | 2004 |
35 |
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Krensky, Beth | Jacob's Ladder | Form: sculpture; Medium: bone, bronze; Dimensions: 36 x 3-1/2 x 4-1/2" | | 2004 |
36 |
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Krensky, Beth | Of Hearts and Orchards (detail) | Form: sculpture; Medium: bronze, pigment; Dimensions: 2-1/2 x 48 x 2-1/2" | | 2004 |
37 |
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Krensky, Beth | Of Hearts and Orchards | Form: sculpture; Medium: bronze, pigment; Dimensions: 2-1/2 x 48 x 2-1/2" | | 2004 |
38 |
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Chuaqui, Miguel Basim | Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 |
39 |
|
Chuaqui, Miguel Basim | Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 |
40 |
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Snapp, Brian | Collapsible Chair (front) | Chairs -- Art | | 2005; 2006 |
41 |
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Snapp, Brian | Collapsible Chair (back) | Chairs -- Art | | 2005; 2006 |
42 |
|
Krensky, Beth | Desire | Form: sculpture; Medium: bronze, pigment; Dimensions: 8 x 3 x 3-1/2" | | 2005 |
43 |
|
Webster, Maryann Sorensen | Dying Reef | | | 2005 |
44 |
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Krensky, Beth | Four Worlds | Form: sculpture; Medium: alabaster, gold leaf; Dimensions: (4) each 13 x 7 x 8-1/2" | | 2005 |
45 |
|
Snapp, Brian | Flying Chair | Chairs -- Art | | 2005; 2006 |
46 |
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Krensky, Beth | Heart, Lung, and Hand Milagros | Form: sculpture; Medium: copper, gold leaf; Dimensions: 11 x 36 x 1" | | 2005 |
47 |
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Snapp, Brian | Highchair | Chairs -- Art | | 2005; 2006 |
48 |
|
Snapp, Brian | Martini (3) | Martinis -- Art | | 2005 |
49 |
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Snapp, Brian | Martini (4) | Martinis -- Art | | 2005 |
50 |
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Snapp, Brian | Martini (2) | Martinis -- Art | | 2005 |