Title | Date | Type | Setname | ||
---|---|---|---|---|---|
301 | Warp | 2016 | Text | ir_etd | |
302 | The chessmen: a play in three acts | 1955-06 | Text | ir_etd | |
303 | Construction of space, time, and free will through sound in Paradise lost | 2021 | Text | ir_htoa | |
304 | Social media as the modern diary: authenticity and prevalence of personal record keeping | 2023 | Text | ir_htoa | |
305 | The individuality of women characters in Shakespearean drama: a study of much ADO about nothing and Macbeth | 2023 | Text | ir_htoa | |
306 | A mind of winter: Negation, perception, and language | 1985-08 | Text | ir_htca | |
307 | Autobiographical Notes as a Writer | 1986 | Text | ir_htca | |
308 | Terror or decorum: Ben Jonson as a tragic dramatist | 1966 | Text | ir_etd | |
309 | Not there yet: The effect of persistent grief on an immigrant's ability to assimilate | 2023 | Text | ir_htoa | |
310 | Reclaiming "pretty girl": a critical reflection on heritage Chinese voices, identities, and third places | 2019 | Text | ir_etd |