Filters: Collection: "ir_som"
1 - 25 of 5
| Author | Title | Description | Subject | Date | ||
|---|---|---|---|---|---|---|
| 1 |
 |
Valley: three corners of our room; an interdisciplinary work for chamber choir, solo instruments, and electronics | Valley: Three Corners of Our Room is a three-movement musical work for chamber choir, solo instruments (trumpet and flute), and electronics. The overarching theme of the project incorporates issues of environmentalism, climate change, and sustainability, and each movement ("corner") seeks to bring a... | music composition; interdisciplinary; collaboration; environmentalism; climate change; sustainability; music performance; choir; trumpet; flute; electronics; chamber music; sonification; light pollution; noise pollution; Great Salt Lake | 2023 | |
| 2 |
 |
Worthen, Cherilyn Renee | The choir school of the Mormon Tabernacle Choir: history and curriculum 1999-2013 | The distinctiveness of the Mormon Tabernacle Choir (MTC) as a unique American choral ensemble is revealed in a persistent paradox that both underscores its history and sets it apart from other choral organizations. By virtue of its widely distributed television broadcasts, recording projects, and to... | Choir; Choir school; Choir training; Choral music; Choral pedagogy; Mormon tabernacle choir | 2014-12 |
| 3 |
 |
Larsen, Vance E. | The influence of formal music instruction on the construction of musical identities of conservatory jazz students | Scholarship in musical identity has been tied to psychological and sociological theories of identity construction. Recent scholarship has used social identity theory as a means to explore the relationship of music to identity. Scholars have advocated for phenomenological inquiry in order to gain an ... | Identity; Jazz | 2014-08 |
| 4 |
 |
Anderson, Briawna A. | Troubled authenticity amd the romanticized West: reevaluating Charles Wakefield Cadman's 1918 opera Shanewis | In 1918, American composer Charles Wakefield Cadman completed the opera Shanewis or the Robin Woman, which was featured during two consecutive seasons at the Metropolitan Opera House in New York. It was the first American opera to receive the honor of a double run and was popular throughout the 1920... | American Music; Cadman; Indianism; Opera; Shanewis; Tsianina | 2013-05 |
| 5 |
 |
Russell, Jessica | From the Old testament to the Paris Opera: Saint-Saëns's Samson Et Dalila and nineteenth-century french orientalism | Despite its successful premiere in Weimar in 1877, Saint-Saëns's Samson et Dalila met resistance as the composer attempted to stage the biblical story in France. When the work finally premiered in Paris in 1890, the opera directors exclaimed, "If we only knew!" In this thesis, I explore the aspec... | Gender; Nineteenth-century opera; Orientalism; Saint-Saëns; Samson et Dalila | 2017 |
1 - 25 of 5