Filters: Collection: "ir_som" Type: "Text"
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Electronics to accompany the Feild and Its Knower | Supplementary audio files for Glassett dissertation "Composing with vocal physiology: Extended technique categories and Berio's Sequenza III". | Berio, Luciano, 1925-2003. Sequenza III; Extend techniques; Overtones; Vocal physiology | 2011-03-10 | |
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Thomas, Brian David | Diffused paradigms: musical depictions of biodegradation, refraction of sound, and memory deterioration in Sorensen's Sterbende Garten | In Sterbende Gärten (Decaying or Dying Gardens) Bent Sørensen employs specific compositional methods in order to depict biodegradation of plants, refraction of sound, and memory deterioration in each of the three movements of the work, respectively. He obscures the formal design of the first movem... | Bent; Gärten; Music; Sørensen; Spectral; Sterbende | 2011-05 |
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Ballinger, Danielle Marie | Student attitudes toward the use of learning centers in the elementary general music classroom | This study investigated the attitudes of elementary-school students toward the use of learning centers as a tool of instruction in the elementary general music classroom. Participants (N=24) were members of two third-grade classes in a small K-12 independent school in Colorado. Participants experie... | Centers; Differentiation; Elementary; General; Learning; Music | 2011-12 |
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Kise, Lyudmila | Part I: Sofia Gubaidulina's approach to pitch centricity in Two Paths: music for two violas and orchestra a dedication to Mary and Martha (1999) Part II: concerto for clarinet and orchestra | This theoretical study is devoted to the analysis of pitch centricity in Sofia Gubaidulina's post-tonal composition Two Paths: Music for Two Violas and Orchestra (1999). A detailed examination of Gubaidulina's approach to the exploration of axes of symmetry and sonic organization as a whole, inclu... | Concerto; Pitch centricity; Sofia Gubaidulina; Two paths | 2011-12 |
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