Filters: Collection: "ir_som" Type: "Text"
1 - 25 of 7
| Author | Title | Description | Subject | Date | ||
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Valley: three corners of our room; an interdisciplinary work for chamber choir, solo instruments, and electronics | Valley: Three Corners of Our Room is a three-movement musical work for chamber choir, solo instruments (trumpet and flute), and electronics. The overarching theme of the project incorporates issues of environmentalism, climate change, and sustainability, and each movement ("corner") seeks to bring a... | music composition; interdisciplinary; collaboration; environmentalism; climate change; sustainability; music performance; choir; trumpet; flute; electronics; chamber music; sonification; light pollution; noise pollution; Great Salt Lake | 2023 | |
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Worthen, Cherilyn Renee | The choir school of the Mormon Tabernacle Choir: history and curriculum 1999-2013 | The distinctiveness of the Mormon Tabernacle Choir (MTC) as a unique American choral ensemble is revealed in a persistent paradox that both underscores its history and sets it apart from other choral organizations. By virtue of its widely distributed television broadcasts, recording projects, and to... | Choir; Choir school; Choir training; Choral music; Choral pedagogy; Mormon tabernacle choir | 2014-12 |
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Bickmore, Isaac Lamont | Functions of popular music in the lives of adolescents | This study determines that a specified group of adolescents' favorite songs fulfill Frith's functions of popular music; (a) to create a type of self-definition; (b) to provide a way of managing the relationship between one's private and public emotional lives; (c) to shape popular memory, organiz... | Music and youth; Group identity | 2010-02-10 |
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Larsen, Vance E. | The influence of formal music instruction on the construction of musical identities of conservatory jazz students | Scholarship in musical identity has been tied to psychological and sociological theories of identity construction. Recent scholarship has used social identity theory as a means to explore the relationship of music to identity. Scholars have advocated for phenomenological inquiry in order to gain an ... | Identity; Jazz | 2014-08 |
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Kirschner, Aaron J. | Divisions without hierarchy: four-dimensional modeling of submeter and its use in empirical analysis of the musics of the new complexity | Central to virtually all scholarship of meter is a notion of beat hierarchy. However, when beat units and/or tempi are in constant flux, defining a hierarchy becomes nearly impossible. Such impulse structuresâ€"common to music of the New Complexityâ€"resist traditional scholarship of meter/sub... | Empirical Analysis; Ferneyhough; Meter; New Complexity; Rhythm; Submeter; Music | 2017 |
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Madsen, Allen Andrew | Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices | The purpose of this study was to determine the impact of Hollywood film music on the secondary instrumental music educator in Utah. Ensemble directors must take many factors into account before selecting the pieces they will perform with their students each year. One genre of music that is increasin... | Motion picture music | 2010 |
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Anderson, Briawna A. | Troubled authenticity amd the romanticized West: reevaluating Charles Wakefield Cadman's 1918 opera Shanewis | In 1918, American composer Charles Wakefield Cadman completed the opera Shanewis or the Robin Woman, which was featured during two consecutive seasons at the Metropolitan Opera House in New York. It was the first American opera to receive the honor of a double run and was popular throughout the 1920... | American Music; Cadman; Indianism; Opera; Shanewis; Tsianina | 2013-05 |
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