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TitleDateTypeSetname
1 The influence of formal music instruction on the construction of musical identities of conservatory jazz students2014-08Textir_som
2 Troubled authenticity amd the romanticized West: reevaluating Charles Wakefield Cadman's 1918 opera Shanewis2013-05Textir_som
3 Contemporary American art song: John Alden Carpenter, Charles Edward Ives, Aaron Copland and Ned Rorem1966-08Textir_som
4 The choir school of the Mormon Tabernacle Choir: history and curriculum 1999-20132014-12Textir_som
5 Diffused paradigms: musical depictions of biodegradation, refraction of sound, and memory deterioration in Sorensen's Sterbende Garten2011-05Textir_som
6 The Fitzwilliam virginal book: historical background and performance practice issues2009-05Textir_som
7 From the Old testament to the Paris Opera: Saint-Saëns's Samson Et Dalila and nineteenth-century french orientalism2017Textir_som
8 A schenkerian view of ascending lines and prolongation in the fugal expositions of J. S. bach's the well-tempered clavier2018Textir_etd
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